The home, at 420 Mohonk Road between High Falls and the Mohonk Preserve near New Paltz, has not been touched for more than half a century.Ī portrait of Chagall’s father created in 1911, “Le Père” is one of 15 works that the French government restituted earlier this year as part of an effort to return museum holdings seized by the Nazis during WWII. If that’s too pricey, Chagall’s former Catskills art studio is also on the market for $240,000. “Le Père” - one of Marc Chagall‘s important early works, and French for “The Father” - will be auctioned by Phillips this November with an estimated worth of $6 million to $8 million. Late actress Diana Lynn’s former NYC townhouse finds a buyer
History-rich NYC townhouse asks $7M for sale
Gronk goes from tight end to gym designer in Massachusetts We thought that’s perfect! It kind of makes you look like a monster, but it’s great.Connecticut home where Abe Lincoln hung out is for sale “In the opera she’s supposed to appear in disguise. “It’s called a Ghillie suit,” Voyce explains excitedly about her own over-the-top moment. “We tried to figure out what it would look like at some deep secret lab at Apple where everything new is created,” she explains.īut it’s the hunter gatherer Papagena, who visually steals the show, spending two scenes encased in full 3-D camouflage-the type of fake grass and leaf-adorned, Big Foot–resembling getup that you might find skulking next to a rack of shotguns at your local Cabela’s. Sarastro has a coat made out of a neoprene fabric that could be mistaken for Alexander Wang. Her Queen of the Night will wear a twenties Madeleine Vionnet–inspired beaded gown that “feels like a dress you could wear to a gala.” Pamina wears a sweater skirt from Brooks Brothers Black Fleece. For her own take, she looked at a range of influences: everything from technical gear to hunter camouflage to traditional Native American garb to neoclassical dresses. Voyce plans to see the Chagall show, but has been too slammed to make it yet (“honestly, the legacy and history of this piece is incredibly daunting!” she admits). “Even in their most extreme, the costumes are definitely clothing.”
“We were interested in exploring contemporary people trying to find balance and wholeness in life, finding oneself in nature,” I am told by the production’s costume designer Kaye Voyce, most recently responsible for outfitting Ewan McGregor and Maggie Gyllenhaal in last winter’s Broadway revival of **Tom Stoppard’**s The Real Thing. For an even more modern take on Mozart’s 1791 opera, museum visitors can head over to the local Glimmerglass Festival, where a new, completely contemporary production of The Magic Flute, directed by Madeline Sayet, goes up on Friday, and runs through August 23.
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